THE ECONOMIST
Commissioned to capture acclaimed sculptor Alasdair Thomson, I documented the transformation of raw Italian marble into one-of-one collectors items. Shot for The Economist’s 1843 Magazine, the series immerses the viewer in the dust, noise, and precision of the studio — revealing the discipline and artistry behind timeless craft.
Client: The Economist 1843
Role: Art Director & Photographer
Year: 2019
THE ECONOMIST
Commissioned to capture acclaimed sculptor Alasdair Thomson, I documented the transformation of raw Italian marble into one-of-one collectors items. Shot for The Economist’s 1843 Magazine, the series immerses the viewer in the dust, noise, and precision of the studio — revealing the discipline and artistry behind timeless craft.
Client: The Economist 1843
Role: Art Director & Photographer
Year: 2019